Think of nan’s work as a gilded cloak that you wear, sometimes you’re reading an essay, or hanging a garment, sometimes you’re listening to a conversation. Her work is about the labor of love and the touch and the meaning that we move through when we are posing a question or troubling an idea... she uses her hands to compose thoughts through words/pictures and objects. She believes in magic and the sacred and conjures from the heart. She is often working by re-making or re-forming materiality into visual projects or palimpsests to re-frame a conversation on the intricacies of subjectivity.
